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Soft Cell's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell alongside Marc Almond in Leeds in 1977

Dave Ball, a key member of the groundbreaking 1980s electronic music duo Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the team scored a global success with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is regarded as a classic of electronic music.

He subsequently founded the pioneering techno group The Grid, who secured popular acclaim with their 1994 single the hit Swamp Thing.

Ball died peacefully in his rest at his home in London on October 22, only a short time after performing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

At that performance, Ball performed in a wheelchair, as he had for the last two years, after a period of health issues.

"I managed to damage myself quite a bit," he commented in 2023. "I broke spinal bones in my spine and fractured about multiple ribs and broke my arm."

Following contracting a lung infection and developing blood poisoning, he was placed in an medically-induced sleep and remained in the hospital for seven months.

Nevertheless, he had been in "high spirits emotionally" during the warmer months, as he was developing a new album with Almond, titled the upcoming Danceteria, which is set for publication in the coming year.

"He was focused and so happy with the new album that we literally completed only a few days ago," stated the vocalist in a heartfelt message.
"It's so sad as next year was completely planned to be such an uplifting time for him, and I take some solace from the fact that he listened to the completed album and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond described his bandmate as "an exceptionally talented creative mastermind", adding: "He was the heart and soul of Soft Cell and I'm very proud of our legacy.

"Many thanks Dave for being an significant aspect of my life and for the music you created with me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, shared his condolences, remembering Ball's "constant humor" and "unwavering friendship".

"Being in a partnership with someone is distinct from joining a group, the connection is very tight," he added.
"That's how it was with us. We went through so many extraordinary, extraordinary, memorable experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in 2018

Formative Years

Born into a one-parent family in Chester in 1959, Ball was put up for adoption when he was a year and a half old.

He was raised in Blackpool with his new family Donald and Brenda Ball, who changed his given name from his birth name to David, together with his younger sister Susan, who was similarly welcomed.

He encountered Almond at an art college in 1977, where they were both learning art. Fuelled by a mutual passion of a music genre, they established Soft Cell the same year, and promptly produced an EP.

Creative Collaboration

The pair were an distinctive combination: Ball was the reserved technician, hunched over his keyboard, while Almond was a flamboyant showman, all sparkle and eye-liner; but they achieved a unique creative synergy.

Ball had cultivated a interest with electronic instruments after viewing the band Kraftwerk appear on BBC science show a popular series, and started to marry dark electronica to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second most popular single of 1981, shifting millions of units worldwide. Together with successful tracks by other artists, Human League and electronic acts, it helped paved the way for the electronic music style of the 1980s.

The track was also included on their full-length debut, their initial LP, which spawned two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the separate release, Torch, which reached at number two in the following year.

Soft Cell in the studio
The duo were working on fresh songs until just before Ball's death

Career Highlights

Success had its upsides. "I loved being able to afford my initial property, having financial security and exploring, which might seem like a Miss World," Ball not long ago told with a music magazine.

But it also caused problems. "Newfound wealth allowed we could purchase substances to alleviate the boredom" of media interviews and television shows, Ball said.

"I realize that's a common saying, but it's a truism for a good reason, because it applies for so many musicians."

Amidst the hedonistic lifestyle, the pair were also growing distant, but they managed to produce a second classic album - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They put out one more album, their 1984 release This Last Night In Sodom, before ending the band to concentrate on individual endeavors.

Almond proceeded to have a successful individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with melodic sounds over a enduring partnership.

Reunions and Final Projects

Soft Cell came back together in 2001, releasing the charting album Cruelty Without Beauty.

After another break, they returned in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the large venue on 30 September, that year.

Yet, they remained together, creating their latest project, Happiness Not Included, during the 2020 restrictions.

Ball lately characterized the band's new album as a homage to the NYC nightlife they visited while recording their initial records.

He noted that his period in hospital had influenced the band's sound.

"I had unusual memories when I was in and out of the hospital because I was on pain medication," he told a publication.
"The new songs are a electronic representation of the noises in my head from that time.
"In parallel, it's about the times we had in the 80s."

The last versions were finished only days before Ball passed away. It is due for launch in the spring of 2026.

By

Jacob Coleman

A software engineer and tech writer passionate about AI ethics and open-source projects, with over a decade of industry experience.

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